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Music Genre Classification Revisited: An In-Depth Examination Guided by Music Experts

Research Output:
Conference Article in Proceeding or Book/Report chapter
Article in proceedings
Peer-review

Open access

Publication Information

Output type

Research Output:
Conference Article in Proceeding or Book/Report chapter
Article in proceedings
Peer-review

Original language

English

Pages from-to (Number of pages)

Pages 45-56

Publication milestones

  • Published - 09/2017

Publication status

Published - 09/2017

Place of publication

Porto, Portugal

Publisher

The Laboratory PRISM
979-10-97498

Host publication title

Proceedings of the 13th International Symposium on Computer Music Multidisciplinary Research (CMMR)

Abstract

Despite their many identified shortcomings, music genres are still often used as ground truth and as a proxy for music similarity. In this work we therefore take another in-depth look at genre classification, this time with the help of music experts. In comparison to existing work, we aim at including the viewpoint of different stakeholders to investigate whether musicians and end-user music taxonomies agree on genre ground truth, through a user study among 20 professional and semi-professional music protagonists. We then compare the results of their genre judgments with different commercial taxonomies and with that of computational genre classification experiments, and discuss individual cases in detail. Our findings coincide with existing work and provide further evidence that a simple classification taxonomy is insufficient.