Adaptive Lighting Design – Staged Experiences of Light
- Kjell Yngve Petersen,
- Karin Søndergaard
- Royal Danish Academy
Research Output:
Contribution to conference - NOT published in proceeding or journal
Paper
Peer-reviewPublication Information
Output type
Research Output:
Contribution to conference - NOT published in proceeding or journal
Paper
Peer-reviewOriginal language
EnglishPublication milestones
- Published - 08/04/2015
Publication status
Published - 08/04/2015
Abstract
Adaptive Lighting Design – Staged Experiences of Light
The two installations, White Cube and White Box, enable experience-based studies as a form of perceptual activity, wherein lighting conditions are examined in a dialectical exchange between the system and the people participating.
Adaptive lighting is based on a partial automation of the possibilities to adjust the colour tone and brightness levels of light in order to adapt to people’s needs and desires. Software can be seen to bear a communicative aesthetic, where the relation of user situations and the design intentions are controlled in ways that meaningfully adapt.
In the two installations, two different aspects are at play. In White Cube, the light colours are balanced. In White Box, the light follows the movements of the people in the space. In situations with several people occupying the same space, social relations become involved in the negotiations of how the lighting design unfolds.
Each installation stages a specified place, where participants perform their own experiences of being and moving in dynamically changing lighting settings. Through investigative actions participants test the ways that the lighting compositions influence their ability to orient themselves within the geography of the space and how the balances in light colours and luminous intensities affect their experience of directionality, distances, and scales. In short, the experience of being present in the space as well as one’s experience of relationships to other people in the space are staged and brought into focus.
The two installations, White Cube and White Box, enable experience-based studies as a form of perceptual activity, wherein lighting conditions are examined in a dialectical exchange between the system and the people participating.
Adaptive lighting is based on a partial automation of the possibilities to adjust the colour tone and brightness levels of light in order to adapt to people’s needs and desires. Software can be seen to bear a communicative aesthetic, where the relation of user situations and the design intentions are controlled in ways that meaningfully adapt.
In the two installations, two different aspects are at play. In White Cube, the light colours are balanced. In White Box, the light follows the movements of the people in the space. In situations with several people occupying the same space, social relations become involved in the negotiations of how the lighting design unfolds.
Each installation stages a specified place, where participants perform their own experiences of being and moving in dynamically changing lighting settings. Through investigative actions participants test the ways that the lighting compositions influence their ability to orient themselves within the geography of the space and how the balances in light colours and luminous intensities affect their experience of directionality, distances, and scales. In short, the experience of being present in the space as well as one’s experience of relationships to other people in the space are staged and brought into focus.
Access to documents
Related Event
Title
Light Cultures: New Technologies, Aesthetics, and Climate Policies
Event type
ConferenceLinks
Date
08/04/2015 - 09/04/2015Location
RUCRoskildeDenmark
